Simon dallow dating
They describe their two years at Simon’s Rock as transformative.“When people ask me about the quality of academics at ‘that early college’ compared to Cornell, I chuckle and tell them it’s no contest,” says Sumul. Costumes by Remy Charlip in collaboration with Ray Johnson, Rauschenberg, and Vera Williams (redesigned by Rauschenberg in 1957). Performed by Carolyn Brown, Charlip, Cunningham, Anita Dencks, Viola Farber, and Marianne (Preger) Simon., Paul Taylor Dance Company, Master Institute Theater, New York, March 27. Revised version by George Wilson., Merce Cunningham Dance Company, Bard College, Annandale-on-Hudson, New York, May 24. Music from an early recording of New Orleans jazz by the Laneville-Johnson Union Brass Band, Folkways label, , Merce Cunningham Dance Company, University of Notre Dame, South Bend, Ind., May 18. Revised version: , Merce Cunningham Dance Company, Jacob’s Pillow Dance Festival, Lee, Mass., July 11. Concert for Milwaukee also included Brown’s , Judson Dance Theater, Dark Horse Concert, surprise performances throughout Dance Concert III, May 24–26. Program also included Rauschenberg’s ], New Cinema Festival I [also known as the Expanded Cinema Festival], Film-Makers’ Cinematheque, Forty-first Street Theater, New York, Dec. Version for television: 16 mm film, black and white, 20 minutes. Distributed by Centre du Film sur l’Art, Brussels, 1966. Performed by Brown, Irene Hultman, Eva Karczag, Diane Madden, Stephen Petronio, Vicky Shick, and Randy Warshaw.(1985), Trisha Brown Dance Company. Music performed by Fanfare Piston de l’École Centrale de la Ville de Lyon. Kennedy Center for the Performing Arts, Washington, D. Performed by Toby Armour, Phena Darner, Viola Farber, and Taylor., Merce Cunningham Dance Company, Festival of Contemporary Arts, University of Illinois at Urbana-Champaign, March 14. 23, both performed by Brown, Lucinda Childs, Alex Hay, Deborah Hay, Paxton, and Robert Rauschenberg. Performed by Forti, Tony Holder, Julie Martin, Paxton, Rauschenberg, Dorothea Rockburne, and Dick Van Buren. Jones., Merce Cunningham Dance Company, Eisenhower Theater, John F. Maudie and Sumul met the first week in Writing and Thinking Workshop.It was a heady experience, Maudie recalls: “Simon’s Rock was the first place I felt surrounded by peers who shared my academic curiosity, who liked difference more than conformity, who sought out challenges.” Maudie and Sumul bonded over their shared ambition—and confusion— in calculus and physics.
Performed by Lorraine Crocket, Anita Dencks, Barbara Janezic, Carol Rubenstein, Taylor, and Matt Turney., Paul Taylor Dance Company, Kaufmann Concert Hall, 92nd Street YM-YWHA, New York, Oct. Artistic collaboration by Jasper Johns and Rauschenberg. Dance performed by Carolyn Brown, Remy Charlip, Cunningham, Viola Farber, Bruce King, and Marianne (Preger) Simon., Paul Taylor Dance Company, Little Theater, Douglass College, Rutgers University, New Brunswick, New Jersey, March 18. Dance performed by Carolyn Brown, Remy Charlip, Cunningham, Viola Farber, Cynthia Stone, and Marilyn Wood. Infrared-television system by Bill Hartig, Larry Heilos, and Jim Mc Gee. Music by Toshi Ichiyanagi, performed by David Tudor. Set included projection of Rauschenberg’s film , Fall Gallery Concerts, School of Visual Arts, New York, Nov. Performed by Mel Bochner, Sandy Daley, Simone (Whitman) Forti, Susan Hartnett, Deborah Hay, Billy Klüver, Brice Marden, Julie Martin, Steve Paxton, Yvonne Rainer, Christopher Rauschenberg, Robert Rauschenberg, Dorothea Rockburne, Annina Weber, John Weber, and David White., Trisha Brown Dance Company, New York University, Oct. Performed by Jed Bark, Carmen Beuchat, Betty Boulware, Brown, Cynthia Hedstrom Jeff Lew, Penelope Newcomb, Eve Poling, Rauschenberg, Adam Schlichter, and Hisachika Takahashi. Previewed at Leo Castelli Gallery, New York, March 28, 1977, and at Galerie Ileana Sonnabend, Paris. [Premiere date, venue, and cast are unconfirmed]., Trisha Brown Dance Company, Walker Art Center, Minneapolis, May 7. Version with costumes redesigned by Rauschenberg performed at Marymount Manhattan College Theater, New York, June 20–24., Trisha Brown Dance Company, Next Wave Festival, Brooklyn Academy of Music, New York, Oct. Rauschenberg creates , Merce Cunningham Dance Company, La Comédie Canadienne, Montreal Festival, Aug. Niki de Saint Phalle and Jean Tinguely, “tir” performance, in front of Virginia Dwan’s house, Malibu, California, and the parking lot of the Renaissance Club, Sunset Boulevard, Los Angeles, March 4 and 7. C, April 26, 1966., Merce Cunningham Dance Company, Royce Hall, University of California, Los Angeles, July 17. Dance performed by Shareen Blair, Carolyn Brown, Cunningham, William Davis, Viola Farber, Barbara (Dilley) Lloyd, and Steve Paxton. Sources suggest they may have been redesigned for the Thirteenth American Dance Festival (1960), however, studio photographs and the program do not confirm this information. 8–14) also included Rauschenberg’s , State University of New York at New Paltz, Jan. Lighting for Concert for New Paltz by Rauschenberg. Performed by Lucinda Childs, Alex Hay, Deborah Hay, Tony Holder, Steve Paxton, Yvonne Rainer, and Rauschenberg. Technical assistance and lighting for all events by Rauschenberg. Part of the First New York Theater Rally, former CBS Studio, Broadway and Eighty-first Street, New York, May 1–26. Performed by Carolyn Brown, Cunningham, Judith Dunn, Viola Farber, and Marilyn Wood., Merce Cunningham Dance Company, Festivale Internazionale di Musica Contemporanea, 23rd Biennale Internazionale d’Arte, Teatro La Fenice, Venice, Sept. The artworks , Théâtre de l’Ambassade des États-Unis, 41, rue du Faubourg Saint-Honoré, Paris, June 20. Performed by Niki de Saint Phalle, Jasper Johns, Rauschenberg, Jean Tinguely, and Tudor. Lighting assistance by Billy Klüver to create stroboscopic lights attached to dancers’ wrists. Performed by Shareen Blair, Carolyn Brown, Remy Charlip, Cunningham, Judith Dunn, Viola Farber, Steve Paxton, Valda Setterfield, and Marilyn Wood. Performed by Niki de Saint Phalle, Rauschenberg, and Jean Tinguely with appearances by Irving Blum, Macintyre Dixon, Elmarie Dooley, Öyvind Fahlström, Viola Farber, Henry Geldzahler, Maxine Groffsky, Billy Klüver, Richard Libertini, Steve Paxton, Frank Stella, and the Stewed Prunes., National Arena roller-skating rink, Washington, D. Presented by the Washington Gallery of Modern Art on the occasion of the Pop Art Festival. Subsequent performances: Judson Dance Theater, Dance Concert III, First New York Theater Rally, former CBS Studio, Broadway and Eighty-first Street, New York, May 24–26, 1965: featuring Alex Hay in place of Ultvedt; Five Choreographers in Three Dance Concerts, Rollerdrome, Culver City, California, April 20, 1966, sponsored by the Los Angeles County Museum of Art; and the NOW Festival, National Arena roller-skating rink, Washington, D. Performed by Shareen Blair, Carolyn Brown, Cunningham, and Viola Farber., Merce Cunningham Dance Company, Royce Hall, University of California, Los Angeles, July 24. Music by Toshi Ichiyanagi, performed on the piano by John Cage and David Tudor. 5, 1958, renamed for the Thirteenth American Dance Festival, Connecticut College, New London, Aug. Research indicates conflicting dates for the redesigned costumes and lighting by Rauschenberg. [Primary sources indicate that costumes may have been done by Rauschenberg, however, this is not believed to be true.], Five New York Evenings (Sept. Rauschenberg responds to questions by creating the Combine , Judson Memorial Church, New York, March 23–25. Robert Morris, (1964) (March 23, 24): Performed by Marilyn Ackerman, Arakawa, Eleanor Antin, David Antin, Abel Bomberault, Judith Callen, Lucinda Childs, Christo, Kenneth Dallow, William Davis, Susan Elias, Ted Enslin, Madeline Gins, Tom Gormley, Iris Grayson, Rachel Gross, Sally Gross, Sidonia Gross, Mark Hedden, Tony Holder, Joan Jonas, Julie Judd, Michael Kirby, Al Kurchin, Arthur Kushner, Carolyn Lamb, Ro Lee, Leroy Lessane, Jane Loebelson, Larry Loonin, Morris, Joan Parker, John Quinn, Yvonne Rainer, Richard Robbins, Dorothea Rockburne, Enid Schreibman, Susan Streeter, Andy Tatarsky, Laurie Tatarsky, Carolyn Voigt, David White, David Whitney, Christine Williams, Bill Wilson, and Argie Xinos; Yvonne Rainer’s (1964), Dance Concert I, May 5–7.“We quickly came to understand each other as academic rivals-slash-collaborators,” says Sumul.They became lab partners in chemistry class, began dating after graduation, went on to study electrical and computer engineering at Cornell, and married in 2005.